32 S

32_S
Production	Privateer 2: The Darkening
Type	Main Plot
Series	Mission G: Jan Mitorr
Disc	CD2
Run Time	2m53s
Previous	MITOR_S
Scenes	152-163
Locations	Jan Mitorr's House

32_S is a main plot cutscene from Privateer 2: The Darkening. It is part of Mission G: Jan Mitorr. It plays when the player visits Jan Mitorr's House on Janus IV after completing Mission F: Shernikov. This completes the mission.

• Download: 32_S.mp4

Transcript

JAN MITORR: Yes?

LEV ARRIS: Yeah, I'd like to speak to a Ser Jan Mitorr, please.

JAN MITORR: No. Go away. Holy Gods, you! Get out!

LEV ARRIS: Ser Mitorr, I'm here about a pod.

JAN MITORR: But another age, another time and place. Begone, I beseech you, begone.

LEV ARRIS: The pod, you mad old bastard, the one that went down in the Canera

JAN MITORR: Canera? You mean Malakai didn't... what do you want with us now?

LEV ARRIS: I want to know where that pod was before it was put onboard the Canera when I was put in it.

JAN MITORR: Why are you asking me these things? I'm not supposed to know them, I'm supposed to have forgotten them.

LEV ARRIS: Well remember those things.

JAN MITORR: No! Kappa Labs, Kappa, Kappa damn you. Now go, leave us alone.

LEV ARRIS: Give me the coordinates.

JAN MITORR: But you know! It's out in the Scatterbelt. Listen, it was all so long ago. But it was allright, the pod worked. Just... just tell me what you want.

LEV ARRIS: Who put me in the pod?

JAN MITORR: Go to Kappa Labs, you'll see. If I open my mouth you know what they'll do. You know better than most and... my heart, and my heart, I can't breathe. I'm dying. Your father he would... he said...

LEV ARRIS: My father? What about my father? What about my father? Shit.

Characters

Speaking

• Lev Arris
• Jan Mitorr

Vehicles

• Janus IV Taxi
• Janus IV Flying Truck

Translations

Privateer 2: The Darkening's cutscenes were dubbed for the French, German and Spanish releases.

French

• Download: 32_S.mp4

German

• Download: 32_S.mp4

Spanish

• Download: 32_S.mp4

25th Anniversary

On May 20, 2020, Privateer 2: The Darkening director Steve Hilliker released The Darkening 25th Anniversary Restoration which featured footage restored from Betacam tapes. The footage has been edited down into a cinema cut but where available it is of much higher quality than the game's files.

• Download: 32_S-P2_25th_ANNIVERSARY_Hilliker_Cut.mp4

Betacam

A pair of Betacam SP tapes recovered from Digital Anvil have provided high quality versions of much of Privateer 2: The Darkening's Main Plot. These cuts are not final and digital effects are missing.

• Download: 32_S-Priv2-betacam-roughcut.mp4

Origin Museum VHS

A VHS tape digitized by Joe Garrity of the Origin Museum included versions of edits 7 through 74.

• Download: 32_S-P2_OM_Tape.mp4

Bad Influence

The Bad Influence The Darkening featurette includes behind-the-scenes footage from this scene.

• Download: Privateer_2_-_Movie_set_visit_Bad_Influence.mp4

Unreleased Trailer

The Privateer 2 The Darkening Movie Promo Trailer posted to YouTube by DigitalVaultThe includes a clip from this scene.

• Download: Privateer_2_Trailer.mp4

Storyboards

A collection of Privateer 2 Storyboards has been provided by Joe Garrity of the Origin Museum. They cover the Main Plot cutscenes.

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Script

A The Darkening Script Draft 7 used during the game's shooting has been provided by Erin Roberts.

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SC.152 ON THE DOOR

There's an annunciator plate there. Arris touches it.

MITORR'S VOICE (VO)

Yes?

ARRIS

I'd like to see Ser Jan Mitorr,

please.

A long silence.

MITORR'S VOICE (VO)

No. Go away.

SC.153 ON ARRIS

He looks at the annunciator for a moment, annoyed. Starts to
turn and walk away -- then turns again and BLASTS the door
in. It slams open: he goes in.

SC.154 INT. MITORR'S HOUSE

Tasteful and posh in a futuristic way. Standing there,
staring at Arris, is JAN MITORR. He is a little, frail old
man who looks like he's seeing someone he really did NOT
expect to see. He backs away.

MITORR

Oh, holy gods! You -- Get out!

SC.155 WIDE -- THE TWO OF THEM

Arris is confused by this look of terror, but still angry.

ARRIS

Ser Mitorr -- my name is Lev

Arris. I'm here about a pod.

MITORR

But...another age! Another time and place

altogether! Begone! We beseech you, begone!

ARRIS

The pod, you mad old bastard.

The one that went down

in the Canera.

SC.156 ANOTHER ANGLE -- FAVORING ARRIS

MITORR

Canera? You mean, Malakai didn't --

(pause: frightened)

What do you want of us now?

ARRIS

I want to know where the pod was

before it was put on board the

Canera. When I was put in it.

MITORR

Why are you asking me these things?

I'm not supposed to know them! I

was supposed to have forgotten them!

Arris advances on him. Mitorr starts to back away.

ARRIS

Remember those things. Now.

MITORR

K-k-kappa Labs. Kappa. Kappa, damn

you, now go! Leave us alone!

SC.158 NEW ANGLE

ARRIS

Give me the coordinates.

MITORR

But you know. (gulps as Arris comes

after him. Increasingly terrified -- )

It's out in the scatter belt.

Listen -- It was all so long ago...

and it was all right, the pod worked!

Just -- just tell me what you want!

SC.159 CLOSE - ARRIS. MITORR

Almost nose to nose, now.

ARRIS

Who put me in that pod?

Mitorr shakes his head, trembling with fear.

MITORR

Go to Kappa Labs. You'll see.

But if I open my mouth -- you

know what they'll do! You know

better than most!

SC.160 WIDER

Mitorr collapses into a chair, as if his legs just won't
support him any more. Arris comes closer, baffled and
angered.

MITORR (CONT'D)

Oh. My heart. Can't breath...can't...

He clutches his chest, sags sideways, struggling for breath.

SC.161 CLOSER

Mitorr's color has gone awful -- a dreadful purplish shade.
He sags further in his chair, as Arris leans in toward him.

MITORR

Your father...he would have...he

said...

ARRIS

(suddenly panicking)

My father? What about my father?

SC.152 ON ARRIS AND MITORR

Arris grabs the old man by the shoulders, shakes him. It's
too late.

ARRIS (CONT'D)

What about my father??

But Mitorr only slumps sideways: the heart attack has killed
him.

SC.163 ON ARRIS

As he stands up, looking down at the corpse with an awful
expression of frustration and pity -- then walks OUT OF SHOT
and EXITS.