Explore the Evolution of Gaming Graphics

The main reason for this was that sprites offered more detail than the polygons of the time could handle. Much like the early days, it was fine to have simple iconic shapes for spaceships and the like, which is why X-Wing's instantly recognisable ship silhouettes worked so well. However, early games didn't even have texture mapping (instead relying on simple colours and shading based on the position of the area's light source) and 3D characters were awkward-looking, low-polygon affairs.

With sprites, if you could draw it, the computer could handle it. When making Doom, id actually modelled several of its more complicated characters in clay then photographed them from multiple angles to maintain consistency.

The first Wing Commander games used a clever trick to fake space, simply moving and scaling sprites in front of the camera to add depth. It fell down when approaching capital vessels, but made for instantly recognisable ships and graphical assets that sat comfortably alongside the character portraits used in menus and cut-scenes.

Making the Game: Hugh's Tasks

Here's another look at a Wing Commander Prophecy programmer's day job: this checklist shows exactly what Hugh David was to accomplish in June, 1997 -- everything from writing code to start ships moving to working out the coolest way to display a jump effect in-engine.

These updates are thanks to John "Captain Johnny" Guentzel, who provided several CD image archives of material used by the Wing Commander Prophecy development team!

Hugh's Tasks Download (32 kb) Date: April 23, 1997 Project: Wing Commander Prophecy Donated By: John Guentzel Pages: 8