4 S: Difference between revisions
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[[4_S]] is a live action cutscene from [[Privateer 2: The Darkening]]. It is part of the [[Introduction (Privateer 2: The Darkening)|introductory]] series of cutscenes. It is the follow-up to [[3_S]] if the player chooses "Sounds illegal... I don't like the sound of it". Either choice enables access to the CCN Booth system. | [[4_S]] is a live action cutscene from [[Privateer 2: The Darkening]]. It is part of the [[Introduction (Privateer 2: The Darkening)|introductory]] series of cutscenes. It is the follow-up to [[3_S]] if the player chooses "Sounds illegal... I don't like the sound of it". Either choice enables access to the CCN Booth system. | ||
Revision as of 22:42, 13 October 2023
| 4_S | |
|---|---|
| |
| Production | Privateer 2: The Darkening |
| Type | Main Plot |
| Series | Introduction |
| Disc | CD1 |
| Run Time | 10s |
| Previous | 3_S |
| Scenes | 79 |
| Locations | Sinner's Inn |
4_S is a live action cutscene from Privateer 2: The Darkening. It is part of the introductory series of cutscenes. It is the follow-up to 3_S if the player chooses "Sounds illegal... I don't like the sound of it". Either choice enables access to the CCN Booth system.
- Download: 4_S.mp4
Transcript
LEV ARRIS: I'm not sure I need anything like that, exactly.
JOE THE BARTENDER: Suit yourself.
Characters
Speaking
Non-Speaking
Betacam
A pair of Betacam SP tapes recovered from Digital Anvil have provided high quality versions of much of Privateer 2: The Darkening's Main Plot. These cuts are not final and digital effects are missing.
- Download: 4_S-Priv2-betacam-roughcut.mp4
Storyboards
A collection of Privateer 2 Storyboards has been provided by Joe Garrity of the Origin Museum. They cover the Main Plot cutscenes.
Script
A Diane Duane's The Darkening Script Draft 7 used during the game's shooting has been provided by Erin Roberts.
(IF 1:)
SC.79 ANOTHER ANGLEArris picks up the spoon and pokes at the stew a little.
- ARRIS
- Not sure I need anything like
- that, exactly.
- JOE
- Suit yourself.
He moves away, genially enough.
