Quarto said:
Well, I don't know if this is true or not, and I don't particularly care to debate it in any case - I fail to see how it is relevant, however. None of the changes introduced in the new edition make the movie more kid-friendly in any way... although it would still be completely irrelevant even if they did. You don't like the changes, that's fine - but don't grasp at straws to turn your personal dislike into some sort of greater argument, because there's just no way to do it.
Ask yourself this - are the changes nessessary? We like Star Wars because it was a great movie - why bother fixing something that isn't broke?
There is most certainly a greater arguement here - however, I may not be the one to make a strong enough case.
On his deathbed, Orson Welles famously said "Keep Ted Turner and his goddamned Crayolas away from my movie!"
I wish Lucas had the same preceident as Welles - they have so much in common. They both had one major film that changed the way films were thought of (though, obviously, Lucas less so) and then lost almost all creative talent later in life.
At least Welles did some half-way decent movies. And did Touch Of Evil. And was Unicron. And was in The Third Man - and then kinda in Heavenly Creatures.
Orson Welles to George Lucas to Peter Jackson? Must skip a generation or something.
I understand that a director might want to go back and clean up his film. I don't mean colorization or godforsaken CGI - but sometimes a THX clean-up is needed. Has anyone seen what Criterion has done with Kurosawa movies? Yojimbo looks like the negatives are still warm and only a few minutes old. (Sadly, Seven Samurai is less so - but it was Criterion's second DVD release so maybe they didn't have their footing yet?)
And yet - and yet - Lucas goes back to add things, delete things, move things up and over, shake things up. The problem isn't in him doing that - the problem is he's not the George Lucas of 1977. Twenty years and a shitty, ugly divorce from his editor bitch wife can bring a man down. Three kids - 4 if you consider is gigantic manitee of a daughter - later and the man is tapping his home life to get inspiration for prequels.
"Gungan!" his son goes as he sees a truck go by, "Gungan!"
Groan!, goes the rest of the world.
Basicly, as Lucas got older, he up and bolted from Joesph Campbell's table leaving us with Keanu Reeves and 'Mad' Max Rockatansky. He got cute on us because he had kids and no bitch wife. He got soft, he got easy-going. He didn't stop wearing those lumberjack shirts - but he did put on 40 pounds and is starting to run his mouth about the future of film or something.
Wait, didn't Welles do that? Yeah, he was washed up when he stacked on the pounds, too. And did MacBeth - which wasn't that bad if you ignore the Corman-level sets and shit-ass lighting.
So, again, the major problem here is that Lucas isn't Lucas anymore. He's like Evil Lucas - the moment he started sporting gray hair it was like Leonard Nimoy in a goatee. And just like Alternate Spock, he's ready to stab you in the back.
If you gave Lucas from 1977 a CGI studio, I'm sure Star Wars wouldn't change now. I'm sure there'd be no countless edits and additions, no unnessessary Super Mario Bros plants coming out from the Sarlacc, no hallways full of Stormtroopers. Then again, we'd have no concept of motion control cameras and the last person to use a VistaVision would've been Kubrick with Barry Lyndon.
Then again, ILM experimented with CGI in late 1978 for Empire Strikes Back. The 14 second test footage (X-Wings making flight manuvers) can be seen on the Last Starfighter DVD. But then, ESB wasn't a Lucas helmed movie, which is all the more reason why he shouldn't fuck with it.
All this thanks to his bitch wife and 3 bratty kids. The man's lost all nerve - Attack Of The Clones made no fucking sense. A detective story? In a Star Wars movie? What the fuck is this - was Dashiell Hammett the editor on "Hero Of A 1000 Faces"?
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world.
I'm suddenly reminded of that dreadful droid factory sequence. I can't wrap my head around Episode 2 - it makes no sense and can't decide what it is. Love story? Detective movie? Action? Suspense? I'm begining to damn even the one or two parts of it I found enjoyable - mostly the Jango/Kenobi fight - because the rest of it is terrible. Terrible! Ten years ago, I'd never say anything involving Star Wars was terrible.
And I can see Lucas in his fucking lumberjack shirt and his asshole "Jedi" cap, gesturing on that rainy "starship platform" set going "Ok, we have to make this suck as much as possible."
Ben Burtt giggles like an old man who for five cents hocks Junior Mints into a public toilet at seven paces. That man edits with a dull knife and a duller sense of how to use an non-linear editing machine.
CHOP CHOP CHOP. It's like Pac-Man - frantic and constant and always full of sound. No sound for 55-time nominated John Williams - but plenty of sound for a fucking swoop bike on Tatooine.
Hahaha, goes Jesus.
(Bling bling, goes George Lucas's ex-wife - who by the way, won an Oscar for editing Star Wars.)
So not only is Lucas fucking inept because he had a shitty marriage and 3 kids - but he can't even surround himself with capible people.
Ok, well maybe "Liam Neeson and his bulletproof fat ass" as a friend of mine once put it. At least Liam was Darkman, right? At least that was a Sam Raimi movie.
Jesus Christ, did I just say Raimi makes better movies than Lucas? I gotta lay off the coffee.
But in the end, Lucas is just another sci-fi nut who was reading Al Williamson comics in the 1950s and wrote a pretty good yarn.
25 years later, and the fucker is taking scotch tape and Sharpies to his own Jackson Pollock collection.
Quarto said:
That's normal - Action Stations was also written several years after WC1, so if somebody would want to make the two fit together, they'd have to modify one or the other.
I don't see them re-releasing Wing Commander (1) with new, timeline friendly additions and edits.
Quarto said:
No indeed, I can't tell you that. But again, irrelevant, because as far as I know, Irvin Kersher is not bothered by the changes.
With the exception of Spielberg, every director Lucas knew thinks hes an idiot. I can't even repeat what John Milius has said about the man.
Quarto said:
Besides, ESB and ROTJ are not like other films in this regard - pretty much everyone agrees that they're really Lucas' work, and the directors were little more than subcontractors. Credits can be quite deceiving.
I'd urge you to brush up on your "Making Of..." history then. Kirshner was Lucas's film school teacher - George pretty much gave him free reign or as much as would be allowed.
Kirschner decided on the emphasis of the "zen" aspect of the Force.
Kirschner decided on the Han and Leia confrontation in the Carbon Freezing chamber.
Kirschner was the one who labored endlessly to make the Hoth battle work.
Lucas? Lucas was too busy trying not to have heart palpatations again after passing out from Star Wars.
Quarto said:
Maybe so - but no more arrogant than the fans' belief that just becaue they love the original movie, any attempts to modify it must be motivated by greed, arrogance, or pure evil. I don't think the fans are the ones to teach Lucas about humility
.
Mine isn't so much an arguement about humility but a matter of art. Name another director who's done to their films what Lucas has done. No one - well that could be it's too costly to screw with something that works.