1 S: Difference between revisions

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BLACK SCREEN
BLACK SCREEN


<B><U>SC.1 EA / ORIGIN TITLES BURN IN AND DOWN (COMPUTER</B></U>
<B><U>SC.1 EA / ORIGIN TITLES BURN IN AND DOWN (COMPUTER</B></U><br>
::<B><U>GENERATED: NO VIDEO)</B></U>
::<B><U>GENERATED: NO VIDEO)</B></U>


''EXT. CRIUS FROM NEAR SPACE, WIDE -- DARK SIDE (NO FADE: CUT
''EXT. CRIUS FROM NEAR SPACE, WIDE -- DARK SIDE (NO FADE: CUT''<br>
''TO SHOT FROM BLACK SCREEN)
''TO SHOT FROM BLACK SCREEN)''<br>
''
 
''Only a thin crescent of sunlight shows at the edge of the''
''Only a thin crescent of sunlight shows at the edge of the''<br>
''planet surface, except for faint spatters of light from''
''planet surface, except for faint spatters of light from''<br>
''cities on the nightside. CAMERA PUSHES IN and slowly PANS ''
''cities on the nightside. CAMERA PUSHES IN and slowly PANS ''<br>
''left to show the planet and its primary in the far distance,''
''left to show the planet and its primary in the far distance,''<br>
''"setting" over Crius's limb. As we watch, the sun continues''
''"setting" over Crius's limb. As we watch, the sun continues''<br>
''setting. PAN CONTINUES and STOPS as a large orbital space ''
''setting. PAN CONTINUES and STOPS as a large orbital space ''<br>
''station, an intricate and glittering construct, comes INTO''
''station, an intricate and glittering construct, comes INTO''<br>
''SHOT and hangs half in, half out of it on the left. A soft''
''SHOT and hangs half in, half out of it on the left. A soft''<br>
''SFX: BABBLE OF VOICES AND COMPUTER SIGNALS, the sound of''
''SFX: BABBLE OF VOICES AND COMPUTER SIGNALS, the sound of''<br>
''several communications channels being run together, starts to''
''several communications channels being run together, starts to''<br>
''be heard, increasing in volume. This station is Crius''
''be heard, increasing in volume. This station is Crius''<br>
''OffPlanet Control, a sort of ‘air traffic control” for the''
''OffPlanet Control, a sort of ‘air traffic control” for the''<br>
''planet at large. (All planets will have this sort of ''
''planet at large. (All planets will have this sort of ''<br>
''control, in charge of landing clearances.)''
''control, in charge of landing clearances.)''


:::::''COMMS CHANNELS (V.O.)''
:::::''COMMS CHANNELS (V.O.)''<br>
::::''(various voices, male/female)''
::::''(various voices, male/female)''<br>
:::''...Crius OPC confirms that, RS one oh three one, good day... / ...no slot for you yet, <u>Atriarch</u>, estimated vacancy''
:::''...Crius OPC confirms that, RS one oh ''<br>
:::''four minutes three, zero... / ...vector toward primary, three three oblique''
:::''three one, good day... / ...no slot for ''<br>
:::''two five, good day... / <u>Ludau</u>, you are cleared in on Passadi approach, five zero''
:::''you yet, <u>Atriarch</u>, estimated vacancy''<br>
:::''one four; separation waived... / Ack- knowledged, <u>Daniev</u>, your transmission confirms your comms malfunction, shift''
:::''four minutes three, zero... / ...vector''<br>
:::'' toward primary, three three oblique''<br>
:::''two five, good day... / <u>Ludau</u>, ''<br>
:::''you are cleared in on Passadi approach, five zero''<br>
:::''one four; separation waived... / Ack- ''<br>
:::''knowledged, <u>Daniev</u>, your transmission ''<br>
:::''confirms your comms malfunction, shift''<br>
:::''to eight eight three four... (etc., <u>ad 1ib</u>)''
:::''to eight eight three four... (etc., <u>ad 1ib</u>)''


''SFX: LOW RUMBLE off to the left side. A huge transport''
''SFX: LOW RUMBLE off to the left side. A huge transport''<br>
''starship coasts INTO SHOT, from “over our shoulder”, between''
''starship coasts INTO SHOT, from “over our shoulder”, between''<br>
''us and the space station, heading for the planet. As the ship ''
''us and the space station, heading for the planet. As the ship ''<br>
''passes, the last flicker of setting sun vanishes behind''
''passes, the last flicker of setting sun vanishes behind''<br>
''the planet, leaving the ship in near-darkness -- defined only''
''the planet, leaving the ship in near-darkness -- defined only''<br>
''by "earthglow" from the planet, and its own silhouette,''
''by "earthglow" from the planet, and its own silhouette,''<br>
''ornamented with running lights. This is <u>Canera</u>.''
''ornamented with running lights. This is <u>Canera</u>.''


:::::''CANERA COMMS (V.O.)''
:::::''CANERA COMMS (V.O.)''<br>
::::''(female voice) ''
::::''(female voice) ''<br>
:::''Crius OPC, this is PM one oh four ''
:::''Crius OPC, this is PM one oh four ''<br>
:::''six <u>Canera</u>, on plan, expecting Herab ''
:::''six <u>Canera</u>, on plan, expecting Herab ''<br>
:::''injection marker one one five.''
:::''injection marker one one five.''


''SCREAM, the second of them performing a victory roll as it''
''SCREAM, the second of them performing a victory roll as it''<br>
''goes.''
''goes.''<br>
::::::::CUT TO:
::::::::CUT TO:


BLACK SCREEN  
BLACK SCREEN <br>
</tt></blockquote>
</tt></blockquote>

Revision as of 17:17, 8 October 2023

1_S
1 S.png
Production Privateer 2: The Darkening
Type Main Plot
Series Introduction
Disc CD1
Run Time 2m20s
Previous n/a
Next 2_S


Temp text intro goes here.

Transcript

CANERA COMMUNICATIONS OFFICER: Crius planet control, this is cargo 1-0-4-6 Canera. On plan and requesting ejection marker 1-1-5.

FEMALE SPACE COMMUNICATIONS: Very well, Canera. You are cleared for re-entry. Proceed to Mendra spaceport. Good day.

CANERA CAPTAIN: Who are those clowns?

SECOND OFFICER - CANERA: We're in unequivocal commit! We can't even manage a skip out!

CANERA CAPTAIN: So much for staying hypersonic. And we're too big for them to tractor in... and keep us from bouncing. Range to Mendra?

CANERA COMMUNICATIONS OFFICER: Six hundred fifty.

CANERA CAPTAIN: Hit it now!

CANERA HELMSMAN: Nothing left but altitude dials.

CANERA CAPTAIN: Launch all communications. Tell them to scramble all emergency equipment to Mendra. Nice try, Raj, nice try.

Characters

Speaking

Non-Speaking

25th Anniversary

Betacam

Storyboards

Script

MAIN GAME SEQUENCE : Prologue

BLACK SCREEN

SC.1 EA / ORIGIN TITLES BURN IN AND DOWN (COMPUTER

GENERATED: NO VIDEO)

EXT. CRIUS FROM NEAR SPACE, WIDE -- DARK SIDE (NO FADE: CUT
TO SHOT FROM BLACK SCREEN)

Only a thin crescent of sunlight shows at the edge of the
planet surface, except for faint spatters of light from
cities on the nightside. CAMERA PUSHES IN and slowly PANS
left to show the planet and its primary in the far distance,
"setting" over Crius's limb. As we watch, the sun continues
setting. PAN CONTINUES and STOPS as a large orbital space
station, an intricate and glittering construct, comes INTO
SHOT and hangs half in, half out of it on the left. A soft
SFX: BABBLE OF VOICES AND COMPUTER SIGNALS, the sound of
several communications channels being run together, starts to
be heard, increasing in volume. This station is Crius
OffPlanet Control, a sort of ‘air traffic control” for the
planet at large. (All planets will have this sort of
control, in charge of landing clearances.)

COMMS CHANNELS (V.O.)
(various voices, male/female)
...Crius OPC confirms that, RS one oh
three one, good day... / ...no slot for
you yet, Atriarch, estimated vacancy
four minutes three, zero... / ...vector
toward primary, three three oblique
two five, good day... / Ludau,
you are cleared in on Passadi approach, five zero
one four; separation waived... / Ack-
knowledged, Daniev, your transmission
confirms your comms malfunction, shift
to eight eight three four... (etc., ad 1ib)

SFX: LOW RUMBLE off to the left side. A huge transport
starship coasts INTO SHOT, from “over our shoulder”, between
us and the space station, heading for the planet. As the ship
passes, the last flicker of setting sun vanishes behind
the planet, leaving the ship in near-darkness -- defined only
by "earthglow" from the planet, and its own silhouette,
ornamented with running lights. This is Canera.

CANERA COMMS (V.O.)
(female voice)
Crius OPC, this is PM one oh four
six Canera, on plan, expecting Herab
injection marker one one five.

SCREAM, the second of them performing a victory roll as it
goes.

CUT TO:

BLACK SCREEN