1 S: Difference between revisions

The Terran Knowledge Bank
Jump to: navigation, search
No edit summary
No edit summary
Line 19: Line 19:
}}
}}
* <b>Download</b>: [https://download.wcnews.com/holovids/p2/game/1_S.mp4 1_S.mp4]
* <b>Download</b>: [https://download.wcnews.com/holovids/p2/game/1_S.mp4 1_S.mp4]


== Transcript ==
== Transcript ==

Revision as of 17:24, 8 October 2023

1_S
1 S.png
Production Privateer 2: The Darkening
Type Main Plot
Series Introduction
Disc CD1
Run Time 2m20s
Previous n/a
Next 2_S


1_S is a live action cutscene from Privateer 2: The Darkening. It is part of the introductory series of cutscenes. It is the first scene to play in the game and it is followed by 2_S.


Transcript

CANERA COMMUNICATIONS OFFICER: Crius planet control, this is cargo 1-0-4-6 Canera. On plan and requesting ejection marker 1-1-5.

FEMALE SPACE COMMUNICATIONS: Very well, Canera. You are cleared for re-entry. Proceed to Mendra spaceport. Good day.

CANERA CAPTAIN: Who are those clowns?

SECOND OFFICER - CANERA: We're in unequivocal commit! We can't even manage a skip out!

CANERA CAPTAIN: So much for staying hypersonic. And we're too big for them to tractor in... and keep us from bouncing. Range to Mendra?

CANERA COMMUNICATIONS OFFICER: Six hundred fifty.

CANERA CAPTAIN: Hit it now!

CANERA HELMSMAN: Nothing left but altitude dials.

CANERA CAPTAIN: Launch all communications. Tell them to scramble all emergency equipment to Mendra. Nice try, Raj, nice try.

Characters

Speaking

Non-Speaking

25th Anniversary

Betacam

Storyboards

Script

Draft 7

Pages 2 through 6 are not present in the available copy of the script; these covered most of 1_S.

MAIN GAME SEQUENCE : Prologue

BLACK SCREEN

SC.1 EA / ORIGIN TITLES BURN IN AND DOWN (COMPUTER

GENERATED: NO VIDEO)

EXT. CRIUS FROM NEAR SPACE, WIDE -- DARK SIDE (NO FADE: CUT
TO SHOT FROM BLACK SCREEN)

Only a thin crescent of sunlight shows at the edge of the
planet surface, except for faint spatters of light from
cities on the nightside. CAMERA PUSHES IN and slowly PANS
left to show the planet and its primary in the far distance,
"setting" over Crius's limb. As we watch, the sun continues
setting. PAN CONTINUES and STOPS as a large orbital space
station, an intricate and glittering construct, comes INTO
SHOT and hangs half in, half out of it on the left. A soft
SFX: BABBLE OF VOICES AND COMPUTER SIGNALS, the sound of
several communications channels being run together, starts to
be heard, increasing in volume. This station is Crius
OffPlanet Control, a sort of ‘air traffic control” for the
planet at large. (All planets will have this sort of
control, in charge of landing clearances.)

COMMS CHANNELS (V.O.)
(various voices, male/female)
...Crius OPC confirms that, RS one oh
three one, good day... / ...no slot for
you yet, Atriarch, estimated vacancy
four minutes three, zero... / ...vector
toward primary, three three oblique
two five, good day... / Ludau,
you are cleared in on Passadi approach, five zero
one four; separation waived... / Ack-
knowledged, Daniev, your transmission
confirms your comms malfunction, shift
to eight eight three four... (etc., ad 1ib)

SFX: LOW RUMBLE off to the left side. A huge transport
starship coasts INTO SHOT, from “over our shoulder”, between
us and the space station, heading for the planet. As the ship
passes, the last flicker of setting sun vanishes behind
the planet, leaving the ship in near-darkness -- defined only
by "earthglow" from the planet, and its own silhouette,
ornamented with running lights. This is Canera.

CANERA COMMS (V.O.)
(female voice)
Crius OPC, this is PM one oh four
six Canera, on plan, expecting Herab
injection marker one one five.

SCREAM, the second of them performing a victory roll as it
goes.

CUT TO:

BLACK SCREEN