Candid's Camera: Difference between revisions
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''Film critic Shame Tone reports.''<BR> | ''Film critic Shame Tone reports.''<BR> | ||
''Last night I was treated to a preview of Filbert Candid's latest addition to his 'Kino-Neu' oevre, and a spectacular piece of Vid-u-lite it is too. Called 'One morning I noticed blue stuff was lodged in my abdominal orifice', it strongly challenges all our precepts of the Vidflik's modus operandi. For a start, it commences with the end credits rolling in reverse down the screen, so that we are privy to the identity of the Grips, Best Persons and Loafers before we know who the stars are, an exception that is dashed when we discover that these people are the stars of the piece. I was so overcome with admiration I swooned, and intend to complete my viewing this evening. '' | ''Last night I was treated to a preview of Filbert Candid's latest addition to his 'Kino-Neu' oevre, and a spectacular piece of Vid-u-lite it is too. Called 'One morning I noticed blue stuff was lodged in my abdominal orifice', it strongly challenges all our precepts of the Vidflik's modus operandi. For a start, it commences with the end credits rolling in reverse down the screen, so that we are privy to the identity of the Grips, Best Persons and Loafers before we know who the stars are, an exception that is dashed when we discover that these people are the stars of the piece. I was so overcome with admiration I swooned, and intend to complete my viewing this evening. '' | ||
[[Category:News_Bulletins]] | |||
Revision as of 18:41, 1 February 2011
Candid's camera is a News Bulletin by Shame Tone posted to the Commerce and Communications Network in 2790. It does not impact commodity prices.
Report
Candid's camera
Film critic Shame Tone reports.
Last night I was treated to a preview of Filbert Candid's latest addition to his 'Kino-Neu' oevre, and a spectacular piece of Vid-u-lite it is too. Called 'One morning I noticed blue stuff was lodged in my abdominal orifice', it strongly challenges all our precepts of the Vidflik's modus operandi. For a start, it commences with the end credits rolling in reverse down the screen, so that we are privy to the identity of the Grips, Best Persons and Loafers before we know who the stars are, an exception that is dashed when we discover that these people are the stars of the piece. I was so overcome with admiration I swooned, and intend to complete my viewing this evening.
