Blakk is back: Difference between revisions

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== Report ==  
== Report ==  


''Blakk is back''<BR>
Blakk is back <BR>
''Art critic Tristram Ponsonby comments.''<BR>
Art critic Tristram Ponsonby comments <BR>
''After a year's self-imposed solitude, artist Orestin Blakk has emerged to stage his new work of dramatic art. Called 'Why oh why oh why', it is described as 'aleatory performance theatre incorporating strongly paganistic and spiritual themes'. Blakk opens with the poignant spectacle of a lone, spot lit, screaming child, a motif so powerful I wept freely into my Neo-silk handkerchief. He then continues with a series of disparate yet strangely synergetic images that strongly reinforce, and yet challenge, the premise of the title, leaving one with a curious sensation of faux-savant reassurance that persists for several minutes after leaving the auditorium.''
After a year's self-imposed solitude, artist Drestin Blakk has emerged to stage his new work of dramatic art. Called 'Why oh why oh why', it is described as 'aleatory performance theatre incorporating strongly paganistic and spiritual themes'. Blakk opens with the poignant spectacle of a lone, spotlit, screaming child, a motif so powerful I wept freely into my Neo-silk handkerchief. He then continues with a series of disparate yet strangely synergetic images that strongly reinforce, and yet challenge, the premise of the title, leaving one with a curious sensation of faux-savant reassurance that persists for several minutes after leaving the auditorium.  
 
[[Category:News_Bulletins]]

Latest revision as of 07:46, 3 July 2011

Blakk is back is a News Bulletin by Tristram Ponsonby posted to the Commerce and Communications Network in 2790. It does not impact commodity prices.

Report

Blakk is back
Art critic Tristram Ponsonby comments
After a year's self-imposed solitude, artist Drestin Blakk has emerged to stage his new work of dramatic art. Called 'Why oh why oh why', it is described as 'aleatory performance theatre incorporating strongly paganistic and spiritual themes'. Blakk opens with the poignant spectacle of a lone, spotlit, screaming child, a motif so powerful I wept freely into my Neo-silk handkerchief. He then continues with a series of disparate yet strangely synergetic images that strongly reinforce, and yet challenge, the premise of the title, leaving one with a curious sensation of faux-savant reassurance that persists for several minutes after leaving the auditorium.